
Monday, March 24, 2014
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Let Me Explain
I believe it.
Don't Explain is a look inside the darkest longing. That wake up in the middle of the night, cannot be alone, self-worthless part of our psyche. Anything is better than that emptiness, including giving over to a completely worthless idea, no matter how painful. For some it is drugs or alcohol, for others it is human.
Yes, it is dark. But hopefully light comes with the dawn rescuing us from that other place and we stand up again filled with life. Light has always rescued me from my own frailties and doubts.
My presentation of this song is different from Billie's, for I am different from her. I know this darkness, she succumbed to it whereas I look for the light. Poor, poor Billie.
Teymur Phell, who I am so proud to work with, heard a tango in the rhythm of this piece. The tango, a controlled dance of passion, temper, and desire, suits me.
Monday, March 10, 2014
Oh So Blue is My Favorite Color
Last summer I was fortunate to wander into a very cool little club, 55 Bar, over on Christopher Street. Three or four steps down from the street behind a mullioned door there is a low slung room strewn with café tables and with walls covered in photos, album covers and posters of the greats, Robert Johnson, Miles, Anita O'day, Nina Simone, you name 'em. My favorite is Art Kanes's photo,
A Great Day In Harlem, which brings the Jazz Pantheon together
for a one of a kind photo op.
It was only 5 o'clock or so and Kirby, the bartender, was alone in the place setting up for the night. Kirby was very welcoming and told me all about the 55 Bar's history and the great musicians who've played there over the years. While he was talking, in walks Nat Janoff, who was scheduled to play with his trio at seven. They were both so friendly that I knew instantly what club was going to be my home spot for music.
I've been back many times, to hear Mike Stern , Leni Stern, Sweet Georgia Brown, Felix Pastorious, and like the casts of SNL the players of 55 Bar seem to form a troupe amongst themselves. Nat has played with Felix, Mike Stern's bassist is Teymur Phell, who often plays with Nat, and who I have come to know as a incredible player. It was only a month ago that I revealed to them I sing and we three, Teymor, Nat and I, are now meeting regularly to form a trio so we can add a new sound to the rich offerings of New York City.
The video is only a peek into a rehearsal session.
Oh So Blue can also be found on my album with the late, very great Geoff Weeks on the piano, but this is a totally different take on it.
Enjoy!
Thursday, March 6, 2014
Living in the Center of the Universe - Part Six
Sold the Pan Built a Fire
When Em was a
little girl I was able to give her a real violin. It came by us in a wonderful way. She had been wanting one when a musically
artistic, intellectually gifted, and southern gentleman friend of mine happened
to offer me a violin that had belonged to his son and which had been stored
away in an attic, in of all places, Oxford, Mississippi. With such a storied provenance the violin
must be magical. Em played that violin
until her hands grew too big and she outgrew the idea of playing. We then stored the pretty instrument in my
closet.
Who then to
pass the instrument to but young Master Sage, a beautiful boy who immediately drew
the bow across the strings in a pleasing tone.
His home is filled
The violin
was not for sale.
with music and musicians and love and I know that the
violin will have a new and full life before it moves to the next.
*****
“How much for
this piano?” “$2500 and not a penny less,” I told the old man as I sat down to
play. Okay, I’ll give you $5 for this
blanket, No that’s $10, I don’t need to sell it and you’re the first customer
of the day, I don’t want to give it away. Okay what about this little pile of
things and the blanket for $10? So, you want to pay $10 for the blanket and all
the other stuff for free? Haha!
Yes! That’s why you call it a garage
sale, to bargain! Hand out, $10 in.
Next!
Unless family
would come by and I would give them those things that could not be sold; Uncle Dan’s
paintings, a wooden carving of Don Quixote that came
from a trip to Madrid with my mother, some things Dad brought home from his
travels, things that meant something to me but would not fit in the van.
The mahogany table that my dad built for me I
gave to my musical friends who I know will have their friends over, it will
hold their wine and crayons and they will love it as a place of commune, conversation
and family.
The paper
things I collected over the years filled several boxes and represented times of
my life from birth until yesterday. My mother passed away in June of last year
and the home that needed to be emptied out then was the same home I grew up in
so there were additional files that Mom had kept for me. My sister had put them and some special
pieces aside for me when she and a few brothers cleaned out the family home in
August. I have not yet looked at the box
but sight unseen they are unquestionably belongings to keep.
But what will
I do with those old tests? Birthday
cards piled up? Programs of shows I no longer remember? I could not imagine
throwing these things into a garbage can to be toted to the landfill and
stirred in with who know what forms of garbage.
I thought I could burn them in a bonfire. File after file into the fire in a
ritualistic letting go. Could I do it?
And where was I going to find a bonfire on short notice?
The fabric of
the Universe felt the ripple of need and the fire presented itself. I was able to crash a party of cousins in
Grandmom and Granddad’s backyard. They
gathered with beer, music and s’mores and I showed up with my box of
stuff. Bit by bit we laughed over
pictures, the kids insisted on some things I was to keep, I threw other stuff in without
thought and with glee and my pile was whittled down to a slice of what it had
been. Into the pit my physical memories
became ash but the memory itself is embedded in my mind. Old drawings of Emily's, homework files,
report cards, essays, poems, heartbreaks and hopes.
The only photographable moment was when a
torn Warhol poster of Marilyn burned alongside 50 year old newspapers of JFK’s
assassination. A visual I can still see
but failed to capture. I look now at
what we brought to New York and realize much of it is the paper things of Emily’s. They are her childhood memories and also
then, mine.
Isn’t that
the thing about memories? Do we need to
remember everything? Do we need to have
reminders of the things in order to remember them? Is it the things
that we remember or is it the experience that we associate with them?
I had thought
of taking a photo of each object as it was sold but I was so crazy busy that that
not only was that idea impossible but forgotten. While writing this post I came across a photo
of Emily holding an American Doll that Santa had dropped off in 2002. My heart nearly cracked thinking that the
doll was now in the home of a stranger.
Those days are really over.
We’ve really moved on.
Those days are really over.
We’ve really moved on.
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